讲述老广记忆深处的美食,以独特视觉深入粤菜的美食腹地追根溯源,挖掘原汁原味的美食美景,揭秘鲜为人知的地方独特饮食,展示众多广味特色菜和背后的人物故事。
Remember when everyone wanted to be in The Strokes or look like Karen O? Then this is the film of the year for you! We’re in New York in the early ’00s. Rock n’ roll had long since been declared dead and buried when a tsunami of young bands suddenly swept across the city and up the charts everywhere, setting a new standard for urban cool. In a kaleidoscopic journey with an eye ...
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
随着巴西非原住民的到来,乌胡伊乌瓦瓦族(Uru-eu-wau-wau)土著居民的人口发生缩减,文化受到威胁。尽管对自己的热带雨林领土掌控着承诺中的自治权,他们却面临着破坏性伐木与采矿活动的非法入侵,以及最近在总统雅伊尔·博索纳罗等右翼政客的煽动下的土地侵占。随着森林滥砍滥伐的升级,这一利害关系已牵连着全球的命运。
这部纪录片剧集跟拍六支足球队及其队长,记录他们争取 2022 年国际足联世界杯参赛资格的历程 — 有人凯旋而归,也有人失意心碎。
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